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thanks, Thank you for your interest in Rembrandt artwork. Rembrandt Harmensz van Rijn, “Rembrandt’s Mother with Her Hand on Her Chest: Small Bust,” 1631. Our gallery is located in the beautiful Oakland Hills of the San Francisco Bay Area, California, USA. This field is for validation purposes and should be left unchanged. Light, a noted Rembrandt expert and art dealer, to sell them. Get the best deals on Rembrandt van Rijn Etching Art Prints when you shop the largest online selection at eBay.com. After purchasing the copper plates between 1805 and 1810, August Jean issued a small edition of some of Rembrandt’s etchings. 82 are known to exist in museums, private collections, and galleries. How 8 of Rembrandt’s Original Etching Plates Changed Hands for Over 300 Years, https://www.parkwestgallery.com/wp-content/uploads/2018/02/pwg_site_logo_trimmed.png, https://www.parkwestgallery.com/wp-content/uploads/2018/04/rembrandt_golf.jpg, Tired of Winter? Impressions printed by Basan and his son are commonly referred to as the “Basan impressions”. Later etchers would experiment with different tools and techniques on top of Rembrandt's achievements but no-one could achieve the standards that he had set. He sold the plates just one year later to Howard Berger. In 1767, de Haan’s estate placed 76 Rembrandt plates up for auction—the additional two plates came from other sources. Measures approx. $30.99 shipping. or Best Offer. A prolific and versatile master across three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. In 1786, over 78 of Rembrandt’s copper etching plates owned by Watelet, most likely 82, were listed in a catalogue of Watelet’s estate and Pierre Francois Basan (1723-1797) purchased the entirety of Watelet’s plate collection. Michael, You can request updated appraisals through appraisals@parkwestgallery.com, Rembrandt Van Rijn, Dutch (1606-1669) Etching Drypoint and Engraving “Jan Cornelis Sylvius, preacher” Circa 1816, London. Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: The Golf Player Year: 1654 Medium: Etching Paper: Verge paper Image, plate size: 3.75 x 5.85 inches Signature: Signed in the pla... Category 15th Century and Earlier Old Masters Figurative Prints Before mounting the works, Andre-Charles Coppier examined each plate and published his study under the title Les Reliques de Rembrandt. Credit Line: Gift of Felix M. Warburg and his family, 1941. No information is known of how de Jonghe came to possess the plates and no further mention of any plates was made for over 90 years until 1767, when 76 of them came up for auction in the estate of Pieter de Haan. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Date: 1654. Rembrandt’s most important etching, The Three Crosses (1653) portrays Jesus Christ on the cross, flanked by the two thieves who were crucified with him.Virgin Mary, mother of Jesus, can be seen weeping and is supported by the Evangelist while Roman soldiers on horseback, along with grieving citizens, surround the crosses. Jul 9, 2018 - Explore Sergei's board "Rembrandt" on Pinterest. Accession Number: 41.1.60 Is one by Bartsch or is it by J.M. Rembrandt etching by his official authorized artist Armond Durand. Description: Etching, engraving and drypoint on Ingres d'Arches off-white laid paper (watermark) with large margins. Series: Plate 13 for Desastres Medium: Etching Dimensions: 5 1/2 x 6 5/8 inches (image) Artist details: Spanish, 1746 - 1828 Date of impression: 1930 Edition: 6th Edition Condition: Barely visible spots mostly in margins as a result of conservation. Ink is inserted into those grooves, and then the print is made when damp paper is pressed down so that it picks up the ink. “The Golf Player” (1654), Rembrandt Van Rijn. This is a form of printmaking in which the artist cuts a design into a plate. I have one of The Cow Drinking. Owning Rembrandt’s copper etching plates until 1938, Beaumont sold all 78 of them to his friend Robert Lee Humber, an American then living in Paris. made without recourse to the drypoint, which he initially used only occasionally for small additions or corrections. While Rembrandt may not have been able to control the ultimate fate of his plates—or who “told his story”—it is fortunate that works so important to his artistic legacy have consistently ended up in the hands of collectors who truly value the innovation and intricacy of his etchings. And 1810, August Jean issued a small edition of some of Rembrandt prints in the collection Rembrandt. 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